Le Retour D

After a ten-year voluntary exile in Paris, Anna Brodeur returns to Quebec in exceptional circumstances. Her return causes a tidal wave among her loved ones. Neither her mother Monique, who had almost forgotten the existence of her only daughter, nor her best friend Patrick, director of a public relations agency, nor her ex, Antoine, knew where she was hiding. After all these years of silence, Anna discovers that reconnecting with her somewhat twisted entourage and rebuilding her life is not as simple as she had hoped.

In the seaside town of Boulogne, no one seems to be able to cope with their past, least of all Hélène, an antique furniture saleswoman, her stepson Bernard, and her former lover Alphonse.

Energetic priest Don Camillo returns to the town of Brescello for more political and personal duels with Communist mayor Peppone.

With "little captain" Cambrai raising serious doubts about the reality of the so-called "super spy," Colonel Toulouse kidnaps Christine and forces Francois to play again the character of "The Tall Blond Man with One Black Shoe" in some fake adventures. All this to stop the investigation into the death of Colonel Milan.

16 years later, Tanguy, now 44, returns to his parents' house with his daughter Zhu under his arm because Meï Lin left him. Disappointed to see their "little one" in this state, Paul and Edith do everything to give him a taste for life, without realizing that by doing so, they braid the rope to hang themselves. Because Tanguy is starting to feel good with his parents.

Village of Artigat, southern France, summer 1542, during the reign of Francis I. Martin Guerre and Bertrande de Rols marry. A few years later, accused of having committed a robbery, Martin suddenly disappears. When, almost a decade later, a man arrives in Artigat claiming to be Martin, the Guerre family recognizes him as such; but doubts soon arise about his true identity.

France, 1809. Captain Neuville is called to the front, leaving his future bride heartbroken. Her sister decides to write letters on his behalf to cheer her up.

Kheìdidja, in her forties, works for a wealthy Parisian family who offers her the opportunity to take care of their children for a summer in Corsica. It's an opportunity for her to return with her daughters, Jessica and Farah, to the island they left fifteen years earlier in tragic circumstances.

Three brothers are reunited on the occasion of the death of his mother. The three are in a difficult stage of their lives due to economic difficulties: Bernard is a failed actor, Didier pretends to be a professor of philosophy when, in fact, is selling sex toys and Pascal lives off a rich sexagenarian. Accompanied by Sara, the teenage daughter of Bernard, they live surprising encounters while new problems appear.

James Bataille is in love. He attempts to stage an elaborate motorcycle stunt to impress the girl, but when it goes sour, he ends up in prison with a 133-year sentence. Bataille escapes from behind bars to make an appointment to fix the car of music biz tycoon, as well as watch the love of his life take part in the town's annual talent show.

After many years of rambling across Europe the aging Giacomo Casanova is impoverished. He wants to return to the Republic of Venice but he doesn't dare going there directly because he was a fugitive when he left. While he tries to find a way to get a pardon he meets a young lady named Marcelina. The more he shows his affection, the more ostentatiously she rejects him. Even so he doesn't give up on her because her lover Lorenzo has grave gaming debts. In return for the required money Lorenzo tells Casanova about a looming secret rendezvous with Marcelina. Moreover he lets Casanova take his place. Undercover of the night Casanova finally seduces her. Lorenzo later feels his honor was besmirched and demands satisfaction. Casanova kills him in a duel and then goes home to Venice.

Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.

An ode to liberated speech and to the power of words, "those one speaks to others, those one speaks in silence", Alain Tanner's third film is inspired by a poet and a poetic text which deeply affected him as a young director.

The script of "Back to the Future" was one of the most refused of Hollywood: more than forty times. No producer believed in this project of Robert Zemeckis and Bob Gale. Steven Spielberg imposed the film on Universal Studios, with Gale signing the script and Zemeckis directing. The director of "Jaws" will not regret it. In 1985, "Back to the Future" pulverized the box office and became a worldwide success, reinforced by two sequels in 1989 and 1990. Decade after decade, the popularity of this trilogy does not falter. Why this longevity while so many blockbusters sink into oblivion?fre